10 inch release! mit unterstützung von jaques raupé bringen howard & stereo die nächste bombe an den start! der sommer kann kommen...

limited edition reissue of the special disco version of bill withers 1979 classic you got the stuff, a magnificent funky disco cut with a super cool five minute groovin cosmic section that was made famous again in the 90s after being chopped up by dj harvey for his black cock free range ep. still sounding stunning today, this track will rock any discerning floor and remains a huge favourite with disco djs. the original changes hands for top dollar so grab a copy of this stone cold classic while theyre around. dont sleep!

yes, its them: federleicht. no better way to start a label: the newcomers of the year have created here a playful and danceable track at the same piece: >rosa lee<. florian schirmacher and marc bammann made an apt remark in naming the ep >modern dada< to point out their ability to make a tribute to the free form. music with german lyrics for the dance floor, combining fragments, while this masterly sense of easiness, for which even the >supergooses< ep was rewarded as a masterpiece in the de:bug. formresonance devides their releases in solid, fluid and aeroform to restrain the musical spectrum which is indeed to be at the ready. solid in any case with both feet down-to-club. how nice … there should be the klub edit of rosa lee as well. in >lilly & douai (fluid)<, the duo spans such an emotional tension by overlaying approximately 80 radio tracks on which federleicht travels the two french industrial cities lille and douai, with the idea that these cities are nature reserves. such sensitive places they are…

alpaca comes with the next big tune. dole & kom feat. bara broest are raising the stakes and bring you four brand new and groovy tracks. so feel free to join the >brother express< and let us dance together. supported by david keno, marcus meinhardt, kreon, lemos..

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

stellar cast for buzzin flys fiftieth single, as german sound pioneer stimming teams up with label guru ben watt and esteemed folk electronica vocalist julia biel for an emotive landmark release. bright star, the fiftieth single from ben watts respected imprint buzzin fly is a special collaboration from three of the labels cornerstone artists and djs. road tested throughout summer to great acclaim, the 12inch features deluxe collectors artwork on a foilblocked gatefold sleeve with 180gm heavyweight vinyl, pull out poster and a free mp3 voucher.

3rd part of 4 eps ,to celebrate the 20th aniversary of strictly rhythm with some seriously big names on the mixes

the soul square were born in 2005, when 3 french hip hop beatmakers (arshitect, guan jay & permone) influenced with the same musical roots (mainly jazz, soul, funk?,) decided to work together. on the same year, they released their first remix album, the fresh touch, available for free on the web...

a1 this classix gets the remix treatment by daniel bovie & roy rox!! massive hit! a2 huge track being in a massive john dahlback remix! b1 phonat sounds like a real daft punk record! avicii on remix duties! b2 2 dirty gets support from tiesto need we say more ?

welcome to pop electronique, courtesy of ninca leece. having, in recent years, played clubs and festivals all over the world, writing soundtracks or collaborating with fellow musicians, the french vocalist, who now lives in berlin, has finally got around to completing her debut solo album, which she has been working on whenever she found a free moment.

vinyl only release of this playmonster! ltd black vinyl press of this playmonster - incl free label artwork! played by sven väth, karotte, gregor tresher, sophie nixdorf and many more

mass appeal is a true crowd pleaser with its hypnotic grooves, liquid sound snippets that bubble and steam across sci-fi flutes and sensuous vocals. all culminating in an ebbing flowing marathon of massive appeal. already played by the likes of 2000 and one, gregor tresher, richie hawtin

quintessentials tracks are raw, but they have soul. its what we all loved about those old house records: a raw yet soulful music.

>fall into me< finally marks the release of the last and keenly awaited single from jay haze aka fuckponys masterpiece >let the love flow<. the album title says it all - >fall into me< sounds incredibly light, yet catchy and full of energy - a free fall onto the worlds softest pillow. this is how house must sound to lovers. house with soul can be taken literally in this case, as jay has called upon the expert support of laila tov and chela simone. the latterenjoys an international standing and has already lent her sublime, very unique voice to kikis hit single >good voodoo<. here she combines inextricably with jays compact sound aesthetic and makes >fall into me< positively shine.with its atmospheric intro and broad musical range, the original on the a-side sees a welcome reappearance of certain must-have features which will have the hairs on your neck standing up... the accompanying video was shotby emmy nominee daniel michael gahr with chela simone and laila tov in the woods of san francisco.
marco passarani has done the honours on the flip side. a workaholic from the eternal city of rome, marco is the linchpin of the italian techno scene. he produces under the aliases js pool, monomorph and ambit 3 for the labels skam, hymen, clone and peacefrog, and also runs his own labels plasmek, pigna and nature records marcos >fall into me< remix is unmistakably influenced by hiscarefully nurtured detroit roots. however, he employs these stylistic elements very discreetly, retains beats, melody and vocals in his arrangement, takes out a little of the decorative padding from the album, then finally hits us with a wonderful, trancey eight-tone sequence to send us into the realm of dancefloor dreams for ever.

with >my name is acid< and >all in<, immersion delivers two acid anthems like back in the days. free the frogs!

we say this every year but pop ambient 2010 is a defining moment for the series - a change in pace but a familiar face for those that have been yearning for our annual remedy. enjoy. the vinyl version contains a free cd of the album !!!

nottighams finest with a wicled bumpy ep for mind travel remix from label boss fabio bacchini dj support from: tommy largo / inland knights / richard earnshaw etc

4 indie tracks getting the funky treatment!

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

nice price deal !!! music designed for the underground! aaron ross & matthew bandy have landed themselves once again on the seasons recordings imprint and we could not be more excited to have them both back working on this one together! last year bandy got hitched and moved from the quite city of denver to the thriving city of london to mix things up and ending up hooking up with mr. ross and the rest is magic! this is the first project these two have worked on together and lets hope for more in the future. this record was designed for the underground!!

members only diggs through historical archives for the 15th time and comes up with 3 hot edits of south shore commissions >free man<, gil scott-heron & brian jacksons >the bottle< and >the writing is on the wall< from some white 7 inch.

excellent deep house classics

1972 disco classic

big with carl cox, michel de hey, gel abril, slam, hernan cattaneo, kenny larkin, sasse, jamie stevens,... hell yeah proudly welcome on board enzo elia, a producer who genulily restores our faith into free range house music, if house is a feeling then enzo elia is going to touch your heart with this new 12 after his recent releases for be as one, lion1 and youngodds. we are not going to bore you with a long list of supporters or useless descriptions, just feel free to choose your favourite version between the peak time beat driven vocal main mix or the absolultely tripped out and moody afrologic version. if you love house music we are sure you are going to dig this! hell yeah!

fresh outa detroit comes the first release on beretta music sub label beretta red. a four track compilation featuring respected artists arthur oskan, third ear and kanzleramts dennis desantis, and label head honcho brian kage. bear trax ep vol 1 is a collection of luscious detroit inspired techno jams aimed firmly at the dancefloor. strictly limited to 200 copies, and if thats not enough comes on appropriately enough tasty red vinyl. it also comes with a code to download all tracks free in digital format... which we presume must be for the girlfriends ipod.

robsoul continues its successful limited series with a 3 track ep feat tracks by tbf, craig hamilton and pulpyt!!

2006 album!!

russian duo easy changes have been demanding international respect for some time now and have established themselves as free and forward thinking producers, who continue to surprise. returning to mean, easy changes have delivered a refined, abstract jazz experiment that teases with continuously evolving elements, moving, shifting, drifting, telling tales, whispering in corners. zhazdha krovi gets our attention with twisted vocals playing with off key elements focusing on refined detailed percussion and clean bass sounds. stolem is a rythmic workout. light, quircky elements amuse whilst sitting on top of the groove that insists we get down. sweet n candy come in on remix duty and deliver a tech house killer. pulsationg, tough grooves that will raise the temperature on any discerning dance floor. b2 is a minimal jazz jaunt that teases, off kilter and experimental and refined

incl a free download voucher to download all tracks from this release !! this kelpe album > cambio wechsel< is an avantgarde electronic piece, free & jazz like... pure pleasure for your ears

cool rollin, dubby and pumpin tech house biggies

premium pack incl maxi cd & sticker!! die sind nicht zu bremsen!! dick groovende techhouse and house cookies mit sahnehaeupchen, lauhaus und das hermannstadt collective miemem die piemont kirsche! big with mathias kaden, kabale&liebe, anthony collins, mihalis safras, gel abril and more..

big with mathias kaden, kabale&liebe, anthony collins, mihalis safras, gel abril and more.. die sind nicht zu bremsen!! dick groovende techhouse and house cookies mit sahnehaeupchen, lauhaus und das hermannstadt collective miemem die piemont kirsche!

audio familys first releases were picked up with huge enthusiasm and sold many copies! now its time for a suitable follow up! the label is a platform for the best funky techno outings around and features a broad range of well-known producers. volume 4 combines an impressive set of artist from across the globe. in short: here is a prime time roller with the best of the best!

3 tracks of sparse, loopey deephouse and 1 jazzy, melancholic vocal cut that has a similar vibe to nick holder productions. cool!
pressing on multicolor marbled vinyl.

1985 classic by the police frontman sting!! includes if you love somebody set them free, shadows in the rain, russians and fortress around your heart!!

>faith< is a breathtaking longplayer that is produced from the early points in my life where house music at the time between 1994-1998 was more open and free without styles clashing and everyones sound was being admired. the productions and concepts for this projects was created by...

many deeply-rooted house influences from blaze to larry heard
to early 1990 strictly rhythm housegrooves witth strong influences of jazz
to intelligent new jakbeat tracks with less noise clatter and more
soft-cushioned toned multi-melodies and vocals.
faith is a creation from all of my life experiences
also everyone s life in general.
the world we live in..
the struggles
death
life
parenthood
finance to survive
sharing
friendship/relationship
this is the story which unfolds thru emotional emancipation manifestion....
then the alternative thoughts....

beautiful
melodically high
strong
vital,
true,
natural,
incarnated ..

its more than a house album, its a complete story...
with jtc singing vocals. myself(traxx) singing vocals
and nancy fortune singing vocals on my album..
- melvin oliphant iii aka traxx -

this release has the new single >100 mph< and 3 rad remixes. the original track rocks amped up vocals with a chicago house groove, and the remixes change it up completely. the ac slater remix adds a bit of fidget and steps up the dub, making it awesomely crunchy. ocelot switches it up and stretches the track into a 7 minute journey, adding a bit of a harder edge. finally, free blood takes things in a more digital direction and injects a slightly darker feel to the track. there s something for everyone on this 12 inch and you need to pick it up.

pt 1 of the vinyl version of this great label retrospective... so much good music on here! we at rh are long time fans of daniel wang and thought it was time to shine some light on his balihu catalog. on this compilation you will find all his early hits, unreleased material as well as more recent released deep, electronic disco by daniel and co (brennan green, ilya santana & massimiliano pagliara a.o.) a tasty compilation disco and electronic heads alike. a very tasty release for the disco and house fans alike. includes all the rare and more dancefloor orientated tracks.

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

bottin, aka william bottin makes music only an italian can make... probably. take a youth spent against a background of old italian giallo soundtracks, some john carpenter film music, add in late 70s italo disco influences, add a touch of free, some easy west coast vibe and a smattering of kitsch. that just about half describes bottin.

we are pleased to deliver the latest single from the lovely lisa shaw! already receiving massive support from dj spen, johnny fiasco, inland knights, richard earnshaw, jask, raul campos (kcrw), julius papp, dj mfr and many more.... taken from her highly appraised recent album free, like i want to fuses quality and soulful electronic ingredients together along with lisas unmistakably lush and smokey style. on remix duty is dutchican soul with 2 stellar reinterpretations. the vocal rub combines subtle tech elements with jittering synth stabs and a striking electronic bassline. the classic vocal remix leans more towards an early naked music style with warm pads and lush chord changes for a more classic house feel. fred everything takes things in a deeper and more stripped down direction including dreamy pads and a filtering techy b-line resulting in a laid back dubby atmosphere with lisa s seductive vocals sitting right in the pocket

a temporary sabbatical from gigs was taken and the band wrote material for where were you when it happened in new orleans midtown district, where their rawboned compositions resembled the katrina-pummeled surroundings. with their girlfriends with them in as close to a stableenvironment as they d been in months, they were able to tap a darker, more personal side in songs like as noise, and hunt you down, with its mournful, organ drenched air belying monotonixs typical good time charlie posturing, while fulfilling the albums need for a climactic, balladic moment. where were you when it happened? finds monotonix visiting a greater diversity of places within their sound while still retaining their minimal appeal. mostly though, where were you when it happened works up a sweat with raw rock and roll, acid guitar licks and riffs, screaming choruses and, in general, the wildness of monotonix in a way that makes for repeated album listening (and pummelling). where most bands refine their production sound as they go forward, monotonix have reverse refined themselves, playing dirtier and more energetic to capture the lightning they are known for.

the third in struts inspiration information studio collaboration series brings together an intriguing pairing between one of africas great bandleaders, mulatu astatke, with the next level musicianship of the heliocentrics collective from the mighty roster of stones throw / now again. known primarily through the successful ethiopiques album series and the film soundtrack to jim jarmuschs ?broken flowers, mulatu astatke is one of ethiopias foremost musical ambassadors. his selfstyled ethio-jazz sound flourished during the swinging addisÑ era of the late 60s as he successfully fused western jazz and funk with traditional ethiopian folk melodies. the heliocentrics have become known as one of the uks foremost free-thinking collectives of musicians, inspired by a wide palette covering sun ra, james brown, david axelrod and all manner of psych, afro and eastern sounds. the collective have featured on records by madlib and dj shadow. now a fixture within the stones throw / now again roster, they forged their own genre-breaking directions in the astral analogue groove on their 2007 debut album, out there. a number of tour dates around the release and headline slots at festivals throughout 2009 have been confirmed.

very funky bearfunk sampler with ronda, altz, free disco and billy bogus & sal (enzo ponzio remix)

der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

big m shakes da bootie for the 9th time and delivers yesterdays pearls polished up to enlighten todays and tomorrows dancefloors!

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.